This is not a heart-warming
film, not by any stretch of the imagination. ‘Out of the Furnace’ is a story
full of misfortune and melancholy that shows how even good intentions have no
bearing on preventing the indifferent hand of fate from dealing a cruel blow.
After returning from a stint
in prison, Russell Baze (Christian Bale) is tasked with cleaning up after his
younger brother Rodney (Casey Affleck), who has become involved with a very
dangerous and violent criminal (Woody Harrelson).
Christian Bale really gives a
remarkable performance here. At first I was somewhat numb to it as he seemed to
be just speaking the lines without much passion but after a while I realised
that this character is supposed to begin that way. At first Russell Baze is a
humble man who is just trying his best in life, when the change does occurs in
him and he becomes internally twisted as human being it is made even more
present as a result of Christian Bale’s previously subdued character work. The
range of emotions Bale has to exhibit in the film is tough even for an actor of
his calibre as Russell Baze swings from depression to grief to anger and
finally to shame in such a short period of time, most of these emotional
fluctuations do not even have lines to supplement them meaning that Bale is
forced to rely purely on the energy he exudes to inform the character. Alongside
Bale the other highlight of ‘Out of the Furnace’ is Woody Harrelson who clearly
revels in the villainous role of the unhinged and volatile drug addict Harlan
DeGroat. Harrelson delivers a very menacing performance that gives the
character of DeGroat a presence felt in the film even when he is not onscreen.
Christian Bale acutely portrays a man wracked with grief over a mistake that changed his life. |
Casey Affleck really does an
admirable job at playing Russell Baze’s younger brother Rodney, a man so clearly
traumatised by war and the horrors he has experienced in combat that he has
been left filled with aggression and unresolved grief. My only concern with the
character of Rodney is that I felt he went underdeveloped from a scripting perspective.
This failing ultimately affected how I as the viewer perceive, where instead of
feeling the same empathy that Russell feels, I instead started to hate him
quite a bit as many, if not all, of the ill-fated events that occur in the film
can be traced directly back to Rodney’s reckless actions. In my opinion it is
too clear to see that Rodney is the bane of Russell’s existence, someone who
continually screws up and leaves his older brother to deal with the fallout.
Scott Cooper, who previously
directed Jeff Bridges to a Best Actor Oscar in ‘Crazy Heart’, brings the same
musicality from that film to this one, providing the often-bleak backdrop of
North Braddock with a contrastingly poignant score from Dickon Hinchliffe.
Cooper brings a tangible sense of immediacy to his direction of the events of
the story as a result of his choice of focusing on tight camera angles that
work excellently with the tension wrought performances given by Christian Bale
and Woody Harrelson. I also felt strongly that Cooper’s choice of handling
conflict in an incredibly unflinching manner was a stroke of genius, whenever
violence occurs in the film it feels real and visceral thanks to a purposeful
lack of staging or framing, this if nothing else is true to the tone set forth
by the movie as a whole.
Bale and Affleck have great onscreen chemistry as they play the Baze brothers. |
‘Out of the Furnace’ for all
its triumphs does unfortunately have an Achilles heel, and that heel is pacing.
The film continually lets itself down by allowing the pace slow to a crawl
throughout until it reaches a terrific conclusion. The climax here is exactly
what you want from this type of film, a tense and exciting sequence that finishes
the story on a high note. The issue however is that the finale, in its
superiority, has the unfortunate side effect of highlighting the missed
opportunities present in the rest of the picture. Personally if the standard of
the ending was indicative of the film as a whole then I would no reservations
in considering ‘Out of the Furnace’ an utter success, but sadly that is just
not the case.
There are aspects of this
film that I really adore, but when considered alongside the less noteworthy
facets I realise that it just slipped up a little too often to be the film it
could have been. ‘Out of the Furnace’ is an impressively told story driven by
an extraordinary performance by Christian Bale; it’s a film I have no problem in
recommending because I’m certain that there are people who will find an amazing
film here where I merely found a great one.
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