I’m
sure everyone saw the trailer of ‘This Means War’ and immediately felt the urge
to see it, however as is often the case with carefully crafted trailers they are
misleading in the reality of their film’s merits. So does this film live up to the trailer?
The answer is…well no, it doesn’t but it also doesn’t disappoint, ‘This Means War’
still achieves some of the promises of its trailer and delivers an enjoyable if
quite flawed film.
Two
very talented CIA agents, Tuck (Tom Hardy) and FDR (Chris Pine), love their day
job hunting dangerous terrorists and travelling to exotic locations, as best
friends their work relationship is strong making them the perfect team for any
mission. When Tuck finds his loneliness too depressing he signs himself up to a
dating site where he meets Lauren (Reese Witherspoon), a successful business
woman who has been unlucky in love and is finding it hard to go out and meet
men. The two have a great first meeting but after the date Lauren ends up
bumping into and hitting it off Tuck’s best friend and work partner FDR in a
video rental store. Choosing to juggle the two relationships until she can
decide which is best Lauren dates the two men who, using their CIA resources,
attempt to sabotage each others chances with her.
Action
is the meat and potatoes of a flick like this and you won’t be disappointed
with its numerous expertly choreographed fight sequences and electrifying stunts.
Chris Pine already has experience with film combat and set pieces from his role
in JJ Abrams’ Star Trek revival so he is instantly at ease in the precisely
timed battles or the death defying leaps his character undertakes in the film
but Tom Hardy, whose previous films have been less blockbuster (save Inception)
and more character driven pieces excels in these sequences despite his relative
unfamiliarity to them. An action centric scene of note concerns Tuck’s epic
paintball annihilation using his advanced CIA skills to defeat an entire team
of players.
You never want to come up against Tom Hardy in paintball. |
The
movie doesn’t really hit its stride until near enough the 40 minute mark where
the rivalry between Tuck and FDR comes to the forefront of the picture, as is
common in MCG’s films, his directorial flair is apparent in their bouts that feature
both very well shot action sequences and highly comical situations.
Great
aspects of the film such as the action and comedy scenes are unfortunately greatly marred by
the inclusion of the incredibly forced and impossible to watch without cringing
romantic scenes, with an alteration to some of the dialogue and better
structuring of the film as a whole I feel that these scenes wouldn’t stand out
so and affect enjoyment of the story as much as they do.
Not
that the film strives for a gritty realism but I found a scene towards the end
of the movie to be so ludicrously stupid and idiotic that it demeaned the
film’s interesting (although nothing to write home about) aspects in order to
focus purely on a farcical movie romance cliché. The scene features the
climactic meeting of the two agents where Lauren is present, whilst she panics
and goes to the bathroom Tuck and FDR duke it out in the restaurant where they
apply every CIA technique at their disposal to defeat each other, by the end of
this fight the restaurant is destroyed and I mean destroyed, there are fires
within the building, smashed glass EVERYWHERE and the two men lie bloody on the
floor (not THAT ridiculous yet but it gets worse). Lauren returns to the room to
find Tuck and FDR, both still on the floor, barely speaking through their
injuries and just as Tuck says the word “Friend” Lauren makes her presence known and immediately
figures out that the two men are friends and that they have been playing her the
entire time. She does not say a thing about the trashed restaurant (which has
been emptied of terrified diners) or the battered state of the two men, nothing
at all, she doesn’t even once acknowledge the carnage that surrounds her, she instead takes the moment
to perform the obligatory romantic film storm off therefore ending the
relationship(s), as if the audience would really believe such a thing at this
point in cinema history.
Mere moments before an all out brawl erupts. |
The
humour of the film is great when it gets a chance to shine without being
crowded in plot advancement methods. Chris Pine and Tom Hardy’s chemistry is so
natural that when comedy is added to the mix it’ll leave a smile on your face
if it isn’t already laughing, the witty repartee between the two is where the
best character pieces of the film are found and their two distinct comedy
styles blend well together as if they’d been a double act for years. I was
particularly impressed with how the direction of the comedy scenes was
perfectly suited to the tone of the film given that the humour is treated just
as seriously as the drama resulting in scenes such as FDR falling unconscious due to
a dart administered by Tuck is accompanied by an ever slowing ‘Sabotage’ by the
Beastie Boys.
The
comic relief of the film, Trish (played by Chelsea Handler), is supposed to be
the outrageously opinionated free speaking best friend whose witty quips have
the audience in stiches. She isn’t, she’s terrible. Comic relief in this film
is best supplied by the two actors who carry the film, Chris Pine and Tom
Hardy, Handler’s character is only needed in the situations in which Lauren
needs to have someone to both bounce ideas off of and get “advice” (plot
advancement) from.
Friendly banter at its best with these two talented actors. |
Overall
I quite liked ‘This Means War’, its two leads do a remarkable job of keeping
the audience interested in the slightly below par story and they fare very well
with the sometimes badly written and unintelligent script. Reese Witherspoon is
unchallenged in her role and does an adequate job filling the spot vacated for
the “attractive blonde lead” the story requires. It isn’t a must-see film that
I would advise you to watch as soon as possible but for an enjoyable 90 minute
flick to pass the night you can’t go wrong with ‘This Means War’.
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