‘The Fifth Estate’ is a
tricky movie to critique. It has a surplus of proven and talented actors with a
story that could easily be a great thriller. The tricky part comes in when you
examine the final product and find that despite all the components working
satisfactorily, the whole thing is a bit of a plodding disappointment.
‘The Fifth Estate’ chronicles
the rise of the Wikileaks organisation and that of its founder Julian Assange
(Benedict Cumberbatch). Assange’s friendship and eventual conflicts with his
close partner Daniel Domscheit-Berg (Daniel
Brühl) are also depicted as Assange attempts to set the truth free despite the
moral issues of releasing government secrets that could potentially lead to the
harm of innocents.
Assange and his colleagues look on in horror at the secrets they have uncovered. |
The cast is led by a strong
performance from Benedict Cumberbatch who succeeds in the role despite the fact
that his portrayal of Assange is difficult to accept. In actuality Daniel Brühl leads the story though as his character Daniel Domscheit-Berg is
essentially the viewfinder through which the audience experiences the film, Brühl’s performance is
endearing in spite of some of the poor material he is given whilst his character’s
primary function is as someone for Cumberbatch’s Assange to play off of. A host of
top class British talent as well as some of America’s finest provide the
supporting cast in the film, including Peter Capaldi, David Thewlis, Stanley
Tucci and Anthony Mackie.
The recent nature of the
events depicted in the film and the on-going saga of Wikileaks as a whole
proves a different animal to film than the easiest comparison to this material,
that of the story of Facebook in ‘The Social Network’, the already established
backstory of Facebook in addition to the website’s more static residence in
today’s world provides fodder for a tale with focus and clarification. This is
where ‘The Fifth Estate’ struggles as it fails to grasp the direction of the
story it is telling by frequently winding up with disjointed accounts of
Wikileaks’ rise to prominence. Interesting vignettes they may be but they
ultimately feature no real affect on the impact of the film as a whole.
Certain sections of the film,
in particular some of the later scenes, show the promise I expected of ‘The
Fifth Estate’ from the very beginning. These scenes capitalise on the
previously built tension by handing Cumberbatch and Brühl
ample opportunities to flesh out their relationship as characters in some
appropriately heated moments. Unfortunately some terrible pacing swiftly
dismisses the momentum accumulated in these impressive individual scenes and a
plot structure that seems better suited to a documentary rather than a cinematic
narrative proves difficult in selling a story that is based in fact. More’s the
pity as ‘The Fifth Estate’ really does shine when it gets beyond its own
inarticulate imperfections.
Even the United States government was unprepared for the capabilities of Wikileaks. |
The choice to focus the film
on the character of Daniel is no doubt influenced by the fact that it is based
in part on the real Daniel Domscheit-Berg’s own
account of the events that took place. This sadly results in an incongruent
side story being injected into the plot in the form of Daniel’s personal life
and troubles. The real issue here is the fact that his own story lacks the
intrigue that would surely be found in a further examination into the curious
character of Julian Assange himself. This ultimately reflects one of my
foremost problems with ‘The Fifth Estate’ as a whole, it abstains from a deeper
examination of Assange, who is easily the most interesting and yet unexplored
character in the story, in favour of a further elaboration on the effect Wikileaks
has had upon the wider world. It was a bold decision for sure and certainly one
that could have yielded a stronger, more respectable film had the script
included the same intentions instead of some annoyingly sophomoric dialogue and
rudimentary character development.
It’s obvious that ‘The Fifth
Estate’ could have been a better film, a much better film at that. I suppose
that’s what I really take issue with here, the talent assembled was very
promising, and whilst most of them came through with their best, they were in
the end hampered by a dull script and weak character development. If Wikileaks
were to leak the secret of this film it would be this: great actors alone do not make a great movie.
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